Public International Law Volume Ii
Public International Law Volume Ii
Answer First
Primary Text
PUBLIC INTERNATIONAL LAW COMPENDIUM VOLUME II
remuneration which, in the absence of agreement, shall
be fixed by competent authority.
(3) In the absence of any contrary stipulation, permission
granted in accordance with paragraph (1) of this Article
shall
not
imply
permission
to
record, by means of
instruments
recording
sounds
or
images,
the
work
broadcast. It shall, however, be a matter for legislation in
the countries of the Union to determine the regulations
for
ephemeral
recordings
made
by
a
broadcasting
organization by means of its own facilities and used for its
own broadcasts. The preservation of these recordings in
official archives may, on the ground of their exceptional
documentary
character,
be
authorized
by
such
legislation.
ARTICLE 11ter
Certain Rights in Literary Works : 1 . Right of Public
Recitation and of Communication to the Public of a
Recitation ;
2 . In Respect of Translations
(1) Authors of literary works shall enjoy the exclusive right
of authorizing:
(i) the public recitation of their works, including such
public recitation by any means or process;
(ii) any communication to the public of the recitation of
their works.
(2) Authors of literary works shall enjoy, during the full
term of their rights in the original works, the same rights
with respect to translations thereof.
ARTICLE 12
Right of Adaptation, Arrangement and Other Alteration
Authors
of
literary
or
artistic works shall enjoy the
exclusive right of authorizing adaptations, arrangements
and other alterations of their works.
ARTICLE 13
Possible Limitation of the Right of Recording of Musical
Works and Any Words Pertaining Thereto : 1 . Compulsory
Licenses ; 2 . Transitory Measures ; 3 . Seizure on
Importation of Copies Made Without the Author's
Permission
(1) Each country of the Union may impose for itself
reservations
and
conditions
on
the
exclusive
right
granted to the author of a musical work and to the author
of any words, the recording of which together with the
musical work has already been authorized by the latter, to
authorize the sound recording of that musical work,
together with such words, if any; but all such reservations
and conditions shall apply only in the countries which
have imposed them and shall not, in any circumstances,
be prejudicial to the rights of these authors to obtain
equitable
remuneration
which,
in
the
absence
of
agreement, shall be fixed by competent authority.
(2) Recordings of musical works made in a country of the
Union in accordance with Article 13(3) of the Conventions
signed at Rome on June 2, 1928, and at Brussels on June
26, 1948, may be reproduced in that country without the
permission of the author of the musical work until a date
two years after that country becomes bound by this Act.
(3) Recordings made in accordance with paragraphs (1)
and (2) of this Article and imported without permission
from the parties concerned into a country where they are
treated as infringing recordings shall be liable to seizure.
ARTICLE 14
Cinematographic and Related Rights : 1 .
Cinematographic Adaptation and Reproduction ;
Distribution ;
Public Performance and Public Communication by Wire
of Works thus Adapted or Reproduced ;
2 . Adaptation of Cinematographic Productions ; 3 . No
Compulsory Licenses
(1) Authors of literary or artistic works shall have the
exclusive right of authorizing:
(i) the cinematographic adaptation and reproduction of
these works, and the distribution of the works thus
adapted or reproduced;
(ii) the public performance and communication to the
public by wire of the works thus adapted or reproduced.
(2) The adaptation into any other artistic form of a
cinematographic
production
derived from literary or
artistic works shall, without prejudice to the authorization
of the author of the cinematographic production, remain
subject to the authorization of the authors of the original
works.
(3) The provisions of Article 13(1) shall not apply.
ARTICLE 14bis
Special Provisions Concerning Cinematographic Works : 1 .
Assimilation to "Original" Works ;
2 . Ownership ; Limitation of Certain Rights of Certain
Contributors ; 3 . Certain Other Contributors
(1) Without prejudice to the copyright in any work which
may
have
been
adapted
or
reproduced,
a
cinematographic work shall be protected as an original
work. The owner of copyright in a cinematographic work
shall enjoy the same rights as the author of an original
work, including the rights referred to in the preceding
Article.
(2) (a) Ownership of copyright in a cinematographic work
shall be a matter for legislation in the country where
protection is claimed.
(b) However, in the countries of the Union which, by
legislation, include among the owners of copyright in a
cinematographic
work
authors
who
have
brought
contributions to the making of the work, such authors, if
they have undertaken to bring such contributions, may
not, in the absence of any contrary or special stipulation,
object
to
the
reproduction,
distribution,
public
performance,
communication
to
the public by wire,
broadcasting or any other communication to the public,
or to the subtitling or dubbing of texts, of the work.
(c)
The
question
whether
or
not
the
form
of
the
undertaking referred to above should, for the application
of the preceding subparagraph ( b ), be in a written
agreement or a written act of the same effect shall be a
matter for the legislation of the country where the maker
of the cinematographic work has his headquarters or
habitual residence. However, it shall be a matter for the
legislation of the country of the Union where protection is
claimed to provide that the said undertaking shall be in a
written agreement or a written act of the same effect. The
countries whose legislation so provides shall notify the
Director General by means of a written declaration, which
will be immediately communicated by him to all the
other countries of the Union.
(d) By "contrary or special stipulation" is meant any
restrictive condition which is relevant to the aforesaid
undertaking. cda
(3) Unless the national legislation provides to the contrary,
the provisions of paragraph (2)( b ) above shall not be
applicable to authors of scenarios, dialogues and musical
works created for the making of the cinematographic
work, or to the principal director thereof. However, those
countries of the Union whose legislation does not contain
rules providing for the application of the said paragraph
(2)( b ) to such director shall notify the Director General by
means of a written declaration, which will be immediately
communicated by him to all the other countries of the
Union.
ARTICLE 14ter
" Droit de Suite" in Works of Art and Manuscripts : 1 . Right
to an Interest in Resales ; 2 . Applicable Law ; 3 . Procedure
(1)
The
author,
or
after
his
death
the
persons
or
institutions authorized by national legislation, shall, with
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